And Metheny's hair is a MUST WASH. What are you, the white Buckwheat?
I'd atendded a 4 day Metheny Seminar and he was mad hair every day but "worst" was the sensation tbat he's always floating on a strange mood and for some momdnts, he lands and again, fly.
Incredible how he can make SING any gear, whit his own Pat voice.
On the other hand (now that I think about it) Gilbert is ALWAYS such a great interview, and is so well-versed in other players, he'll probably provide a really good, articulate perspective, even if his own tone is relatively indistinct.
I threw me guitar out. Why bother? Why bother? Use it as a coffee table. Because I can't play it like that. -- David St. Hubbins.
ya know in the last couple years, since he really committed to using single-coils in his signature Ibanez guitars, I kinda like Paul Gilbert's tone. It's recognizably single-coil in a way that I think sounds cool with his hyper-accurate picking. It definitely sounds like a clean amp with pedals, but I'm OK with that.
Maybe it's because Paul Giblert's whole musical project lately—which is like shred records except with these little songs that don't have a ton of overdubs—is itself kind of a weird thing, and somehow it fits with clean amp + distortion pedals. If you think of him as a really enthusiastic geek who likes pop music who can also shred at an insane level, it kind of fits.
I'm not even a huge fan of his solo albums, but I noticed his recent turn toward single-coil world, and I dug the change.
That's fine and fair, and I never thought or said he "bad tone," (or similar).
What I said in his Alchemy profile (and stand-by as my opinion) is:
Paul’s gear choices add up to a tone that is clear (not overly gainy), satisfying, and effective, but not all that distinctive. The truth is that for all the mind-blowing guitar work, Paul Gilbert doesn’t really have one recognizable signature tone. His tonal choices don’t enhance the most characteristic elements his guitar style in the way, for example, John Sykes or Zakk Wylde get sonic distinctiveness out of their Les Pauls.
I threw me guitar out. Why bother? Why bother? Use it as a coffee table. Because I can't play it like that. -- David St. Hubbins.
Comments
And Metheny's hair is a MUST WASH. What are you, the white Buckwheat?
-- David St. Hubbins.
I'd atendded a 4 day Metheny Seminar and he was mad hair every day but "worst" was the sensation tbat he's always floating on a strange mood and for some momdnts, he lands and again, fly.
Incredible how he can make SING any gear, whit his own Pat voice.
-- David St. Hubbins.
He uses a clean amp with an overdrive and distortion pedals.
-- David St. Hubbins.
-- David St. Hubbins.
Maybe it's because Paul Giblert's whole musical project lately—which is like shred records except with these little songs that don't have a ton of overdubs—is itself kind of a weird thing, and somehow it fits with clean amp + distortion pedals. If you think of him as a really enthusiastic geek who likes pop music who can also shred at an insane level, it kind of fits.
I'm not even a huge fan of his solo albums, but I noticed his recent turn toward single-coil world, and I dug the change.
-- David St. Hubbins.
What I said in his Alchemy profile (and stand-by as my opinion) is:
Paul’s gear choices add up to a tone that is clear (not overly gainy), satisfying, and effective, but not all that distinctive. The truth is that for all the mind-blowing guitar work, Paul Gilbert doesn’t really have one recognizable signature tone. His tonal choices don’t enhance the most characteristic elements his guitar style in the way, for example, John Sykes or Zakk Wylde get sonic distinctiveness out of their Les Pauls.
-- David St. Hubbins.