The Dim D is very subtle, almost too subtle to be perceived to be a chorus effect. To my ears Red Barchetta is much more effected than that. I think he was using a CE-1. He was kind of the guy who put Boss Chorus on the map. If not a CE-1, it's probably some other early CE.
Post edited by Dinosaur David B on
I threw me guitar out. Why bother? Why bother? Use it as a coffee table. Because I can't play it like that. -- David St. Hubbins.
I remember one interview I read long ago where he said he used a Roland for his clean tones around that era, but I wouldn't think he used it on Red Barchetta.
According to Rush Wiki, Alex was using Hiwatt and Marshall amps with a Roland Digital Delay and a Loft Chorus (among other effects) for recording Moving Pictures. I've also read he used a Boss CE-1 as well. It was also written in a Guitar World interview that he was using a Roland Jazz Chorus for the Moving Pictures tour. I know some of the recording for the album was done outside as well. Somewhere, packed away in a box somewhere, I have more info on this.
The Exit Stage Left video shows him with Hiwatt heads (w/o the nameplates) on Marshall combos (as far as I can tell). He could have had a Roland Jazz Chorus stashed in there somewhere, but that's a clean sounding amp. I think the EFFECT is Roland/Boss chorus (or perhaps another brand) rather than a JC-120 amp, because the crunch tone underneath the chorus (on the studio and live versions) still sounds British to my ears.
Post edited by Dinosaur David B on
I threw me guitar out. Why bother? Why bother? Use it as a coffee table. Because I can't play it like that. -- David St. Hubbins.
Yeah, his crunch tone is definitely from the Hiwatts and Marshalls. I am only mentioning what he has said in interviews and what different sites have on them.
FWIW I'm pretty sure the Boss CE-1 is the exact circuit used in the Roland Jazz Chorus
Ok. That's new for me. I like researching amplifiers and never ran across this. Then again .... I never thought to look for it. It would make sense in many ways.
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-- David St. Hubbins.
-- David St. Hubbins.