Lynch/DeMartini glissando vibrato
Has anybody here mastered this technique? Any advice? My mind always boggles when looking at how seemlessly the two, and Lynch in particular, manages to incorporate this technique. I've tried, but never gotten it to sound anywhere near as good, both when it comes to the technique itself and actually using it in context: using it at a place of melodic rest doesn't come natural to me, unlike normal vibrato. But it would have been awesome to be able to develop both the technique and the ear to use it flawlessly and seamlessly.